Matters ▸ Attachment
Armory Master Plan_Public Draft — File 24-1580
Somerville Armory
Master Plan
A roadmap for successfully managing the
Somerville Armory as a community arts center.
CITY OF SOMERVILLE
2024
DRAFT
Somerville Armory Master Plan
1
Introduction
2
1.1
Introduction & Building History
3
1.2
Purpose
4
1.3
Mission & Vision of Success
5
1.4
Planning Process and Timeline
6
Roadmap for a Public Arts Center
12
2.1
Governing a Public Arts Center
14
2.2
Managing and Maintaining the Armory
26
2.3
Financing the Armory’s Vision
35
Conclusion
44
Appendix
46
CONTENTS
DRAFT
Somerville Armory Master Plan
2
Introduction
DRAFT
Somerville Armory Master Plan
Introduction
3
INTRODUCTION & BUILDING HISTORY
The Somerville Armory has evolved since it was built for the Somerville
Light Infantry of the Massachusetts Volunteer Militia in 1903. After more
than 50 years as a military facility (first the militia and then the National
Guard), in the 1960s the Armory was reorganized into a State Police
office building, and ultimately lay vacant for decades before being sold
in 2004. When the Commonwealth sold the building the Somerville
community expressed a range of interests for the property’s unique drill
hall and other spaces. Many advocated for it to become a community
center or arts venue, and ultimately the Commonwealth sold the facility
to the Sater brothers, the experienced operators of the Middle East
club in Cambridge, who converted the Armory into the spaces we know
today. Over the years, the range of tenants in the Armory changed with
more and more non-arts-related businesses brought in to help finance
operations. The onset of the COVID-19 pandemic forced many tenants
to temporarily close and pushed the private owners to consider turning
the Armory completely into an office property. The resulting outcry
spurred the City to acquire the Armory by eminent domain in 2021, to
serve the public with artistic and civic uses for decades to come.
To fulfill this new purpose as a public community arts center, the City
of Somerville’s Economic Development Division and Arts Council
partnered to develop a Somerville Armory Master Plan. A consultant,
Create Today LLC, was selected to work with the City on community
outreach and research to develop this Master Plan to:
1.
Establish guiding principles for maximizing the arts use of the building
2.
Outline the financial realities involved in operating the Armory as a
public arts center.
Throughout this document the term
“Armory” is used to refer to the
Somerville Armory as a building,
located at 191 Highland Ave, and
should not be confused with one of
the building’s current tenants, Center
for Arts at the Armory (sometimes
referred to as “Arts at the Armory.”)
Somerville Armory Historic Postcard
DRAFT
Somerville Armory Master Plan
Introduction
4
The Armory Master Plan is a guide and roadmap for the next iteration
of the Somerville Armory, meant to guide decision-making for years
to come. It is written to be the reference point for those making
governance decisions for the building and intentionally leaves space for
those empowered to make decisions to address changing needs in the
community. The Armory Master Plan also leans into an expectation that
incremental change is both practical and purposeful, recognizing that
the people who will bring life to this building – the artists and creators
who produce events, classes, performances – are core partners in
bringing the Armory into its future as Somerville’s home for the arts
community and need to be consulted along the way.
PURPOSE
The Armory Master Plan is a roadmap for successfully managing
the Somerville Armory as a community arts center through the 21st
Century. It lays out a community driven mission and vision of success
that support recommendations on fairly and clearly operating the
Armory as a public asset serving Somerville’s diverse needs for
arts and civic spaces. After the Master Plan is adopted by the City,
governing, financial, and investment decisions on the Armory will be
aligned to the Vision and Mission contained in this Master Plan.
Somerville Armory from above
DRAFT
Somerville Armory Master Plan
Mission and Vission of Success
5
MISSION AND VISION OF SUCCESS
Mission
The Mission of the Somerville Armory, its governing body, and this
Master Plan is to protect and ensure the long-term vitality of the
historic Armory property as an affordable and accessible public center
for art, community, and culture.
Vision of Success
The Somerville Armory will serve as a successful public arts center by:
I.
Focusing on Artists and Arts:
The Armory is a center for art, community, and culture where
a broad range of arts programming is offered to the Somerville
community. To encourage this, the Armory is also an affordable,
stable, and supportive home for artists to focus on their work.
II.
Nurturing Collaboration and Synergy:
Tenants and programs at the Armory are carefully chosen to
produce a complementary but diverse range of activities. The
Armory welcomes a broad array of creators, allowing for a mix of
long-term tenancies and short-term or periodic rentals to meet
different needs of artists and arts organizations.
III.
Inspiring Community:
The Armory is a welcoming and inspiring place where visitors
not only enjoy diverse arts and cultural programming but are also
inspired to flex their own creative muscles.
IV.
Supporting the Creative Life Cycle:
The Armory fosters artistic and cultural creativity at all levels and
scales by users and visitors.
V.
Making Clear and Community-Based Decisions:
The Armory remains flexible for the needs of the artistic
community and the tenants. Decisions about the Armory’s
future are made through transparent and fair governance where
neighbors are appreciated and engaged.
VI. Mitigating Conflict:
Management considers noise impacts, building capacity, and other
physical constraints when choosing tenants to minimize conflict,
and should anticipate and address conflicting needs.
VII. Ensuring Financial Stability:
The Armory is a public asset of the City of Somerville. As such,
its operation generates revenue that is sufficient to maintain the
property in a clean, comfortable and orderly manner, and to fund
upgrades and renovations to preserve and enhance its future
utility as a municipal arts center.
DRAFT
Somerville Armory Master Plan
Planning Process and Timeline
6
PLANNING PROCESS AND TIMELINE
Overview
After the City of Somerville acquired the Armory in 2021 and took
responsibility for daily operations, the City began the process to
develop a master plan for the long-term stewardship of the Armory as a
public arts center. The City selected Create Today LLC as a consultant
and work began midway through 2022, also creating the Armory
Master Plan Advisory Committee, comprised of local artists, elected
officials and Armory neighbors. The City’s Economic Development
Division and Arts Council staff oversaw Create Today’s research and
helped convene meetings for public opinion outreach. The City and
consultant team conducted various community outreach activities to
learn about community needs and aspirations for the Armory from
the general public, art organizations, individual artists, neighbors, and
current tenants. Expanding public outreach further, the City undertook
a four-part meeting series beginning in January 2024 that explored the
Armory’s role in Somerville’s ecosystem and imagining its future. These
outreach methods, combined with the research has informed this
Master Plan.
Master
Plan
Process
Visioning and
Guiding Principles
November 2022 –
January 2023
Armory Master
Plan Advisory
Committee
June 2022–May 2023
National
Case
Studies
Greater
Boston
Scan
Research
April–November 2022
Community
Outreach
April– November 2022
Armory
Meeting
Series
Focus
Groups
Leadership
Interviews
Community
Meetings
Figure 1: Outreach Activities
•
Greater Boston
Environmental Scan
April – July 2022
•
National Case Study
July – November 2022
•
Armory Master Plan Advisory
Committee
June 2022-May 2023
•
Leadership Interviews
August 2022
•
Visioning and Guiding Principles
November 2022 – January 2023
•
Focus Groups
March 2023
•
Community Meetings
July and August 2023
•
Armory Meeting Series
January-May 2024
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Somerville Armory Master Plan
Planning Process and Timeline
7
Preliminary Research
Create Today began the master planning process by conducting an
environmental scan that researched 46 nearby art spaces to determine
the Armory’s advantages and weaknesses within Greater Boston’s
cultural environment. Overall, the Armory is a unique space with
competitive advantages, including its large performance hall, on-site
parking, and flexible layout that provides an array of spaces for a wide
variety of artists and creators to both produce and present their art.
Create Today supplemented the environmental scan with detailed case
studies on six (6) model arts facilities that are owned and operated by
either public agencies or non-profit corporations to provide insight on
best practices for operating the Armory as a public arts center. These
models each:
•
Focus exclusively on serving artists and providing arts
programming
•
Accommodate short and long-term users
•
Have clear use policies, fees and expectations, such as requiring
users to provide public benefits (classes, performances,
exhibitions, etc.)
Model Art Facilities Case Studies
1.
African Heritage Culture
Arts Center
Miami, FL
2.
Archie Bray Foundation
Helena, MT
3.
Headlands Center for the Arts
Sausalito, CA
4.
Torpedo Factory Art Center
Alexandria, VA
5.
Boston Center for the Arts
Boston, MA
6.
Mudflat Studio
Somerville, MA
Images are sourced from each of the
organizations represented.
1
2
4
6
5
3
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Somerville Armory Master Plan
Planning Process and Timeline
8
Community Outreach
Create Today’s research was supplemented with public outreach
efforts to inject community feedback into the planning process. In
2022 twenty (20) local artists, cultural leaders, policy makers, Armory
tenants, and abutters were interviewed. More than half (11) of these
people were artists and over a third (7) were people of color. The
stakeholders interviewed stressed that the Armory should serve
Somerville as an innovative and affordable public arts center. They also
felt it was vital that a vision be developed for the Armory to ensure its
long-term success as a diverse public arts center.
In 2023 four focus groups with a diverse array of local artists, residents,
Armory tenants and neighbors were hosted. Overall, participants
wanted the Armory to remain a “…space that features a blend of arts
and cultural programming as well as community events.” Specifically,
artists wanted the Armory to focus on artists and creators and offer
diverse arts and cultural programming. Visitors and abutters wanted
the Armory to remain accessible to the public and accommodating
of community needs. Existing arts tenants wanted to stay in the
Armory and continue creating and presenting art to the public while
operating under clear and fair management. Finally, many focus group
participants acknowledged that the Armory was not large enough to
accommodate all of Somerville’s arts and community space needs.
Above: Historical postcard of the
Somerville Armory
DRAFT
Somerville Armory Master Plan
Planning Process and Timeline
9
In 2022-23, the Armory Master Plan Advisory Committee (AMPAC),
made up of local artists, elected officials, and Armory neighbors, met
four times with Create Today and City staff to review research and
advise on how the Armory should be governed for long-term success
as a public asset. The AMPAC recommended that:
•
The City identify the Armory as a community arts center
accommodating a diverse range of arts, artists, creators and
visitors (including current arts-oriented tenants)
•
The Armory operate with clear policies, fair user selection criteria,
and affordable fees that cover maintenance and long-term facility
costs
•
Armory management should be overseen by an independent body
to ensure fairness, access, and affordability and to incorporate
community input
During the summer of 2023 three public meetings (two in-person
and one virtual) were held to review work that had been completed
over the past year: the assorted planning research, case studies, and
draft a vision of success for Armory governance. Most importantly,
these meetings sought feedback about the community’s preferred
management style for operating the Armory as a public arts center,
ranging from total City involvement in all areas of operations to City
delegation of operating responsibilities to independent third-party
organizations. Attendees were also asked whether the City should
control, occupy, and program all the spaces in the Armory, or whether it
should lease space in the property to one or more arts-related tenants
to help defray operating costs and programming responsibilities. The
participants in these meetings expressed a few clear desires that the
City of Somerville:
•
Retain ownership of the Armory
•
Continue to lease space in the Armory to artists and
arts-focused groups
•
Invest in the building, both management services
and the physical infrastructure
Summary of the Armory Master Plan
Advisory Committee findings can be
found in the Appendix
Summary of the 2023 public
|meeting findings can be found
in the Appendix
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Somerville Armory Master Plan
Planning Process and Timeline
10
Screenshot of the virtual meeting
of the Armory Master Plan Advisory
Committee meeting
“ Somerville is a city of renters with small spaces
and not a lot of community spaces like the
Armory. The Armory can be the extra bedroom
that none of us have. You can invite your friends
over to have a meetup, attend an event, or grab
a cup of coffee.”
Community Participant
Right: Feedback from community
members at a community meeting
held in the Rooted Cafe
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Somerville Armory Master Plan
Planning Process and Timeline
11
Following this engagement, the City expanded outreach efforts
through a second series of community conversations to delve deeper
into future goals for the Armory. The City organized this four-part
meeting series from January – May 2024 with an aim to deepen the
understanding and context of the Armory. This series explored the
Armory’s relation to the arts ecosystem of Somerville, its context in the
community space needs of Somerville, its existing physical conditions
and uses, and what future governance might entail. The feedback
gathered informed the vision of success. From these meetings it was
established that:
•
The Armory should host a broad range of art and the tenant mix
should be complementary but diverse
•
The Armory should serve the broader community but retain an
artistic focus
•
The Armory should contain a mix of short-term and long-term
rental opportunities
•
Management should anticipate and address conflicting needs
•
Governance should not be the role of a single tenant and should
be the role of an independent body
Material from the Armory Meeting
Series in 2024 can be found on
Somervoice
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Somerville Armory Master Plan
12
Roadmap for a
Public Arts Center
DRAFT
Somerville Armory Master Plan
Roadmap for a Public Arts Center
13
Transforming the Armory from private ownership to successful
public stewardship will take time and resources. Fortunately, the City
can draw on the Armory’s heritage as an arts center to hasten this
process. Three years of municipal operations, public feedback and
research on arts facilities has revealed how Somerville wants the
Armory to be governed as a community asset. This Plan is a blueprint
for successfully governing this unique public property sustainably,
equitably, and transparently as a multi-tenant public arts center for
decades to come.
Achieving this Plan’s vision needs to be accomplished in stages, with
a short-term transition program followed by long-term sustainable
operation. This approach focuses on making critical changes to
management, staffing, revenue generation and occupancy first,
followed by continued improvements that could potentially lead to full
independence from the City. The implementation of this plan is rooted
in a fundamental fact—setting the Armory on a path for long-term
success requires resources (revenue and staff), time, and patience.
The City has three tasks ahead to ensure the success of the Armory
as public arts center:
•
Fully tenant the Armory with arts tenants and scale up to
independent governance
•
Enhance Armory management and operating conditions
•
Plan for stable finances, balancing affordability and investments
in the building
During 2025, the first steps on the road to success for Armory include:
1. Forming an Armory Advisory Board guiding the Mayor and City
Council on fiscal and operating policies.
2. Allocating staff time and investing in building upgrades to enhance
property conditions
3. Recalibrating rents and fees for usable space in the Armory.
4. Carefully selecting occupants for Armory spaces by releasing a
Request for Proposals (RFP).
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Somerville Armory Master Plan
14
Governing a
Public Arts Center
The Armory has hosted and supported artists and cultural
establishments for years before it became a public asset in 2021.
The City of Somerville will build on this legacy by continuing to lease
spaces in the Armory to a diverse mix of arts focused tenants. The
City will set up an initial governing body to oversee this process while
also exploring more independent governance over time.
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Governing a Public Arts Center
15
Set-Up an Advisory Board and Path for Future Governance
The first recommendation is to establish a Somerville Armory Advisory
Board. As envisioned today, this body will meet to oversee selection
of tenants, spending of Armory revenues for building services and
capital investments, while also facilitating relationships with and among
tenants, neighbors, and other community members.
Massachusetts law places the authority to lease municipal property
and allocate municipal revenues with the Mayor and City Council and
therefore the Advisory Board is not the final decision maker but a
key partner in the crucial first step of filling vacancies in the building
and the ongoing investments in the property. The Advisory Board will
be a part of the executive branch, under the Mayor, but because the
authority for the decisions this body will oversee is held jointly by the
Mayor and City Council, both the Mayor and City Council will have a
role in Advisory Board member selection.
The Armory Advisory Board is envisioned as a five-member board
consisting of two representatives of the Somerville arts community, two
residents of Somerville, and one professional in facilities management
or real estate with relevant background to support the Advisory Board’s
work.
The scope of work before the Advisory Board includes:
1.
Assure that governance of the Armory is aligned with the Mission
and Vision of Success.
2.
Review requests for proposals for tenancies in detail and make
recommendations on the tenant mix of the Armory
3.
Review requests for proposals for building managers and other
support services that utilize the revolving funds generated by the
building and make recommendations on selection
4.
Make recommendations on the utilization of funds generated
from tenant rents, fees and grants for capital investments in the
building & grounds
5.
Engage with current tenants regularly to inform recommendations.
6.
Host regular neighborhood meetings to address the context of the
building within the surrounding residential neighborhood.
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Governing a Public Arts Center
16
Community Voices
Community input is crucial to ensure that the Armory mission is
successful. There are various ways that community input can be
regularly incorporated into Armory governance to ensure decisions are
fair, transparent, and align with the vision and mission.
The Armory Advisory Board will hold regular public meetings to hear
concerns from community members and tenants. These meetings will
provide a platform for addressing issues and voicing opinions related
to the Armory governance and operation. This approach ensures
transparency and allows both tenants and the community to have their
voices heard in decision-making regarding the Armory. The goal is to
understand from key constituent groups how to minimize impact on
neighbors, maximize effectiveness for tenants, and ensure that the
building continues to function as a public arts center effectively.
Working artists are another vital group to listen to in the Armory’s
decision-making process. The Armory’s mission is to be a place that
the working artist can create and present their art. This will mean
many different things to different people, and as the ecosystem of arts
facilities and supports changes in the years to come, it will be important
to check in with Somerville artists. A public arts center can and should
be positioned to meet the needs of artists that are going unaddressed
by the private real estate market. For example, during the development
of the Armory Master Plan, artists working in music, dance, and
movement said their access to space has been constrained by changes
in the ecosystem of rehearsal and performance venues in greater
Boston. To understand the evolving needs of working artists, the City
will develop and regularly administer a survey to assess the ecosystem
and what role the Armory might play to address these needs.
Right: Artwork in the hallways of the
Armory curated and shown by Out of
the Blue Community Arts
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Governing a Public Arts Center
17
Governance Transparency
Armory tenants, visitors, and Somerville residents have advocated for
Armory governance to be as transparent and public as possible. With
the goal of setting the Armory on a path to independent governance
in mind, one of the first actions of the board will be to establish a set
of norms that can be carried forward when governance shifts to a
non-profit or cultural trust. This begins with creating a charter that
outlines the policies by which the board will operate and will be formally
adopted by the Board following public input and . The charter will
at minimum cover the frequency of tenant and public neighborhood
meetings. There will be dedicated City staff time for planning
and organizing the Advisory Board’s meetings and preparing and
distributing meeting materials.
Paths Towards Independence
Forming the Somerville Armory Advisory Board is the first step
to transition the Armory administration away from City staff to an
independent entity. This initial structure will provide a platform when
there is readiness to transition governance to an independent third-
party entity, such as a non-profit corporation or a quasi-government
agency like a cultural trust. Such independent entities have more direct
decision-making power on administrative and fiscal matters and with
less oversight by the City.
The City can seek to create a non-profit corporation to govern the
Armory. Such a corporation would have an independent board and staff
that can expand the scale of Armory programming and increase the
facility’s public exposure and brand, while also fundraising for major
building renovations or improvements. Alternately, creating a special
purpose, quasi-governmental agency requires special state legislation
but combines the efficiencies of a non-profit corporation with
heightened access to municipal resources. Passage of pending state
legislation may allow the City to create an independent cultural trust
to run the Armory and any future municipal cultural assets, leveraging
all available efficiencies of scale and resources to maximize arts and
culture programming to the public.
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Governing a Public Arts Center
18
CASE STUDIES
The Umbrella Arts Center in Concord, Massachusetts, provides
an example of how management of a cultural institution can
evolve to improve facilities and enhance programming and
public engagement. Started in the 1980’s by local artists who
wanted to start a public arts center, the Umbrella started life
being run by a small non-profit corporation governed by its
artist tenants that leased and renovated a surplus school
from the town. The Center operated this way for thirty years,
when the Arts Center Board determined that local demand
for cultural programming far exceeded the capacity of the
original building. In 2010, the Board shifted its mission from
managing operations to marshaling resources for an extensive
expansion of the facility and its programmatic offerings. Board
membership shifted towards people skilled in fundraising while
daily management shifted to professional staff overseen by a
director hired by the Board. In 2019, the new Board had raised
over $20,000,000 to dramatically expand the Center’s building,
hire additional staff and instructors and offer more cultural
programming in new facilities, including two theaters, maker
spaces, a computer graphics laboratory and an art gallery.
Since the Umbrella board has focused on raising funds to
support the Center’s expanded operations.
The Northampton Community Arts Trust provides a great
example of how a third-party entity can govern an arts center.
The Arts Trust is the owner of 33 Hawley Street, a building that
provides an affordable space for Northampton Center for the
Arts, Available Potential Enterprises (A.P.E), and Northampton
Open Media, each conducting an active presence in the building
through their own programming. This building is the first and
only project of the Arts Trust, adapting the model of conser-
vation and community-land trusts. By acquiring 33 Hawley the
Arts Trust removed the building from the speculative real-estate
market and are protecting the space, in perpetuity, for acts of
creativity and imagination. This model can provide an example
of how a cultural trust, or a non-profit governing body can
function at a higher level, leaving programming to the tenants of
the building.
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Select Diverse Yet Complimentary Tenants
As a multi-user building, the Armory will be programmed by the
tenants in the spaces that they lease; they will enliven the building with
rehearsals, meetings, classes, and performances. Potential tenants
should be considered both individually on their artistic merits and how
they fit into the building as a whole, using a fair, transparent, and public
process. It is also important that the Armory remains open to new
tenants, new artists, new ideas, and community priorities, with fresh
programming and access to emerging artists encouraged. This should
be accomplished by offering spaces in the Armory at a range of price
points and durations (daily, weekly, long-term lease) so income and
artistic practice need is not a significant barrier to accessing Armory
space. The Advisory Board should also regularly reflect on how the
Armory and its tenants are serving the broader community and adjust
subsequent leases, lease renewals, and policies to stay aligned with the
mission and community need.
Right: Dead Moon Audio’s recording
studio located in the Armory
basement.
Left: Audiotech Services, an audio
equipment repair shop in the Armory
Right: Acoustic Strings New England,
a musical instrument rental and
repair shop located in the Armory
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Governing a Public Arts Center
20
While the Armory should try to attract many types of artists, it’s design,
construction, and occupancy limit the disciplines it can realistically
host. The presence of the large performance hall with specialized
lighting and media equipment lends the building to accommodating
performing artists (musicians, dancers, media artists, etc.), but, as
Figure 2 shows, there is nearly 10,000 square feet (SF) of space
that can easily host relatively low-impact disciplines that will not
generate significant noise, dust, or vibrations. Disciplines requiring
equipment that generate heavier impacts may be able to use spaces
in the basement, which have concrete floors and walls and generally
more robust construction. Additionally, the third floor of the building
was designed in 2009 as two residential units. There are functional
limitations and substantial challenges with having residents living
above a performance venue. All of the residents who have lived at the
property so far have moved in knowing they will live above a music
venue and harmony between tenants has mostly been achieved. That
said, there are significant challenges with hosting a private residence
in the context of a public arts center. Long-term residential leases are
not recommended, but accessory residential functions (like an artist
in residence program or sleeping quarters for visiting artists) may be
a good utilization of the existing facilities. During tenant selection, the
Advisory Board will have to keep property limitations in mind as each
space has its own distinct set of features.
Flexible work Space
11,526 sqft
34%
Performance Space
8,570 sqft
25%
Mechanical/Service Areas
6,780 sqft
20%
Common Areas
5,419 sqft
16%
Dining / Communal Space
1,270 sqft
4%
Storage
535 sqft
2%
Figure 2. Armory Building Square Footage
Left: Armory common area on the
1st floor
Right: Back stairwell of the Armory
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Governing a Public Arts Center
21
Support Art and Creation
Some artistic practices are unsustainable in the free market economy,
but that does not mean they do not deserve space. The benefit of a
publicly owned arts center is the ability to subsidize space for users
who cannot afford market prices. Often the work artists present is
just the tip of the iceberg. There are countless hours spent preparing,
writing, ideating, researching, and experimenting, all which may
require low-cost space. Supporting art at all levels and not just the
final stage is important in supporting a thriving and diverse arts
ecosystem. Fortunately, the Armory has a variety of spaces, some
better for production and others more suited for artistic presentation or
performances, all of which can be offered to artists and organizations
at different price points.
Artists participating in the Master Plan process also desired for the
Armory to support artists with different business models and varying
time-in-space needs. Some organizations will need dedicated access
to space on a long-term basis (e.g. a performance venue needs a
multi-year tenancy to allow for booking shows 1-2 years in advance)
while other businesses need access to space by the hour or day (e.g.
a music teacher needs space to teach Thursdays from 4pm – 8pm).
Some of the Armory’s current tenants offer space to other artists as a
regular part of their own business models, and this is common practice
for many arts organizations as a means of fostering collaboration
and expanding their network. During the development of the Master
Plan, the City of Somerville also opened some vacant spaces in the
building to artists for short term use through the SomArt program of
the Somerville Arts Council. The City should continue this legacy by
offering at least one if not multiple spaces in the building to artists at an
hourly or daily basis with clear price transparency, managed either by
an Armory tenant or the City.
Artists utilizing the 2nd and 3rd floor
spaces of the Armory as part of the
SomArt Program of the Somerville
Arts Council
Left:
Aritst Michael Talbot and Sean
Webster (Copper Colective) present
thier work in the 2nd floor BIPOC
Gallery.
Right:
Continum Dance rehearse a dance
piece in the 3rd floor rehearsal
space for their AIR residnecy.
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Recommended Tenant Criteria
The Somerville Armory is intended to be multi-tenanted, and community
based. Each time requests for proposals are issued to fill vacancies
in the building the Somerville Armory Advisory Board will review the
criteria for the upcoming selection against the specifics of the available
space and its own limitations. In 2025, the City of Somerville, guided
by the Somerville Armory Advisory Board, will lease all Armory spaces
through a procurement process compliant with Massachusetts law and
consistent with the criteria recommended in this Plan. Current tenants
occupying space in the Armory before it was acquired by the City of
Somerville can participate in this process and must if they would like to
remain tenants in the building.
The City is looking for diverse tenants that can deliver on the Mission
and Vision for Success. The following tenant selection criteria are
generally applicable whether the Advisory Board is considering filling
one space or multiple:
•
Mission Alignment: Does the prospective tenant’s mission
or purpose align with the Mission and Vision of Success for
the Armory?
•
Facility Alignment: Is the prospective tenant’s space needs
compatible with the type and amount of space available including
any particular restrictions related to that unit?
•
Building Mix: Does the prospective tenant’s offerings add to the
diversity of offerings in the building? Is it compatible with other
uses? What potential conflicts of noise bleed or conflicting uses
will need to be mitigated in selecting this partner?
•
Community Breadth: Does this prospective tenant reach a wide
spectrum of Somerville’s community and/or offer a wide variety of
activities that are responsive to community needs? Or does the
prospective tenant reach an under-resourced community and fill
gaps in our current creative ecosystem?
•
Community Benefit: Does this prospective tenant contribute
to a benefit to the Somerville community in ways that align with
identified community needs in the arts ecosystem or broader
community? If making space available to others in the ecosystem,
do they have defined and approachable pricing structures?
•
Collaborative Nature: Does this prospective tenant have a proven
record of collaborative experience?
•
Economics: How does this tenant’s price proposal fit within
the goal of making the Armory a financially stable building? Is
it a tenancy that would need subsidy or offer the ability to
subsidize others?
Massachusetts Procurement Law:
Chapter 30B
In 1990 the Massachusetts state
legislature enacted the Uniform
Procurement Act, also known as
Chapter 30B. In general, this law
governs how municipalities handle:
1.
Supplies and services
procurements
2.
Surplus supplies
3.
The acquisition or disposal of
real property
DRAFT
Somerville Armory Master Plan
Governing a Public Arts Center
23
Community Uses & Public Purpose
Residents stated often that they want the Armory to continue serving
artists as well as wider community needs by hosting public markets,
meetings, and other civic events. The building currently hosts a Winter
Farmers Market, city elections, blood drives, and other civic events
while maintaining its artistic identity and focus. Just as with making
space for artistic producers, this desire to mix in civic uses embedded
in the arts ecosystem can be met through the partner selection criteria
and the rent structure. During selection, tenants could, for instance, be
asked to describe their offerings to the public; how they could provide
access for a range of potential artistic partners; and how they will
accommodate civic uses. These answers could provide the Advisory
Board and Mayor guidance to negotiate with a selected tenant/partner
to clearly outline their commitments in their lease. This could take the
form of reserving specific dates for civic functions like voting or set
pricing for non-profit or independent artist space rentals.
Below: A music event taking place
in the Rooted Cafe operated by the
Center for Arts at the Armory.
DRAFT
Somerville Armory Master Plan
Governing a Public Arts Center
24
The café situated on the first floor by the entrance is an intermediate
space that welcomes all and promotes intermingling of artists, patrons,
and members of the public. It is also flexible, serving as a performance
space as well as a retail establishment. There is a desire for there
to always be ground floor space that is designated for community
gathering like the café has been in recent years. A space where people
can gather and congregate in the building will help foster synergies
within the building and provide a foundation for a strong community.
There may be needs in the city that would align with the Armory’s
mission and vision of success but that are not being proposed by
potential tenants. This could take a variety of forms not fully anticipated
at this time, but an example might be addressing the need for
affordable spaces available by the hour. In such a case, the Advisory
Board could recommend dedicating a space to a function that is
staffed by the City of Somerville instead of being rented out to a tenant.
If required, this can be done by:
•
The Armory Advisory Board identifies an unmet need and
recommends that the City fill that need in a specific space in the
building to the Mayor.
•
The Mayor and City staff determine whether the City can fund the
Board’s recommendation.
•
If the City can support the Board’s proposal, the Mayor and
staff develop a budget and scope for meeting the Board’s
recommendation, if additional funding is needed the City Council
approves the funding request.
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Chapter Section
25
Summary of Recommendations:
Governing a Public Arts Center
Establish a Transparent Advisory Board &
Governance Structure:
•
Set up the Somerville Armory Advisory
Board to oversee tenant selection,
building services, and revenue
distribution.
•
Collaborate with the Mayor and City
Council for decisions, ensuring the
Board’s advisory role is clear.
•
Make meeting agendas and
minutes publicly available to ensure
transparency and community access.
Support Artists and Engage the
Community:
•
Hold regular meetings for the Advisory
Board to gather input from tenants and
the community on Armory operations.
•
Launch and regularly administer
a survey to assess local artists’
needs and adjust the Armory’s role
accordingly.
•
Provide low-cost or subsidized space
to support artists in various stages of
creation and presentation.
•
Facilitate a mix of tenants that provide
civic and cultural programming.
•
Maintain a flexible, community-
focused space that encourages public
engagement and interaction with
artists.
Select Diverse yet Complementary
Tenants:
•
Implement a transparent, public
process for selecting tenants that
aligns with the Armory’s mission and
vision of success.
•
Prioritize tenants based on mission
alignment, space compatibility, and
community benefit.
•
Utilize community survey results
to cross check that the Armory is
meeting the needs of the artistic
community.
•
Offer flexible pricing and lease options
to ensure accessibility for a range of
artists and arts organizations, including
opportunities for both traditional
long-term leases and short-term space
rentals.
Evaluate and Adapt Governance:
•
Continuously assess tenant selection,
space utilization, and community
engagement to ensure alignment with
the Armory’s mission and broader
community needs.
•
Adjust programming and space
offerings based on feedback and
changing needs in the arts and local
community.
•
Use the Advisory Board as a
foundation for transitioning to an
independent management structure,
such as a non-profit or cultural trust.
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Somerville Armory Master Plan
26
Managing and
Maintaining the Armory
Managing the Armory efficiently, transparently, and fairly while
continually maintaining and improving the property is fundamental to
achieving the Vision and Mission. Armory revenue must be stable and
sufficient to support management, enhanced building upkeep, technical
upgrades, and renovation of major building components. This plan
uses industry benchmarks for similar facilities to recommend ways to
improve the Armory’s daily operations, upgrade building conditions,
and minimize user conflicts while maintaining the Armory’s long-term
financial viability.
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27
Improve and Standardize Daily Operations
Improving and standardizing daily building operations is crucial for
enhancing efficiency, reducing costs, and ensuring a consistent quality
of service in the Armory. Standardization allows for better staff training,
improves communication, minimizes errors, and optimizes processes,
resulting in time savings and increased productivity. Additionally,
standardized operations can lead to better compliance with safety and
regulatory standards, ultimately fostering a safer and more sustainable
environment for tenants and visitors alike.
Expand Cleaning and Maintenance Protocols
Maintenance is crucial for the Armory to be a successful public
asset for the City of Somerville keeping the property functional
and welcoming to tenants, visitors, and the public. Currently staff
from the Department of Public Works cleans the building’s common
areas, maintains the grounds, and makes minor repairs as needed.
Structural renovations, servicing and replacement of building systems,
and installation of major upgrades require the services of private
contractors. The Armory is only one of the many public buildings that
Public Works cleans and maintains. It is unique in that it is currently
maintained and serviced in part by City staff but primarily houses
private tenants and hosts private events. This arrangement could lead
to conflicts between the needs and priorities of City management and
private tenants and the rights of unionized employees. Determining
the right mix of City staff and outside support services will necessarily
evolve over time as the needs of the building change.
The Advisory Board will be advising the Mayor on spending from the
Armory budget, that could include recommendations on additional
contract cleaning and maintenance services. Regular maintenance,
including weekend cleaning and trash removal, and system upgrades
including wireless intercoms for the front door and greater interior
sound dampening. City staff will be needed to assist the Advisory
Board in planning and organizing all aspects of daily administration of
the property as a public arts center, as well as advising the Advisory
Board on management policy. The Advisory Board and their necessary
support staff may also need to contract consultant services to assess
how the Advisory Board can better integrate the Armory’s needs into
the Department of Public Works current systems. This assessment
will help streamline operations and make management more efficient,
reliable, clear and fair for Armory tenants and the public, while taking
advantage of the economies of scale gained from utilizing existing City
resources.
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28
Ensure Safety and Security
To fulfill its mission as a public asset, the Somerville Armory needs to
be both safe and accessible to the general public while also being a
secure place for artists and arts organizations to create and conduct
business. Successful operation will make common areas (lobbies, halls,
and the grounds) secure and welcoming. These common areas are due
for system upgrades as a result of aging infrastructure. Modernizing
the call box would go a long way in simplifying the visitor experience.
Beyond these physical issues, the Advisory Board should also work
with tenants to determine public hours of operation for the Armory
to clarify how the public is welcomed in and ensure that there is a
designated point-person for City communications to address safety,
security, and questions from general public visitors to the Armory.
As part of transitioning the Armory to public stewardship, the City
published a code of conduct for Armory visitors in 2024 that applies to
the property’s common areas and grounds. The City is also enacting
a set of building rules for Armory tenants and their patrons. The code
of conduct together with these rules outline what is expected of
individuals within the Armory and will be enforceable if violated.
A thorough safety plan should be developed with property
management and tenants. Part of this needs to include a detailed
analysis of the building’s spaces, their capacities and uses, and
egresses. The Armory’s current infrastructure is not designed to
accommodate tenants of every use. Beyond the performance hall, the
building currently lacks sufficient bathrooms to handle large numbers
of people in the building at one time. Additional emergency exit
doorways were added after it was converted into a private arts venue
and some have direct access to the street, making them a better fit for
large gatherings. For example, if there were two or more large events
simultaneously in the building, the safety plan would need to address
emergency egress and coordination. Additionally, types of artistic
use need to be considered and planned for—the Armory can only
accommodate some artistic practices with its current infrastructure.
For example, if an artist wanted to work with spray paint, there is not
adequate ventilation in place to allow for the safe use of materials
with toxic fumes. To install a spray booth or fume hood the artist
would need to work with the Advisory Board and the City on creating
system upgrades and coordinating a safety plan for using and storing
hazardous materials on site. It is recommended that the Advisory Board
conduct a comprehensive study about building upgrades that can allow
for a broader range of art practices safely but continue to work on an
as needed basis until a complete study can be completed.
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29
Maintain and Improve Existing Infrastructure
Ensuring the Armory serves local artists and the greater public
successfully in the future requires reliable and sustainable revenue
streams that are sufficient to pay for desired building services, building
upgrades and renovations.
Near-Term Site Investments
To jump start improved management of the Armory by implementation
of this Master Plan, the City should undertake relatively inexpensive,
but strategic, building upgrades as soon as possible:
•
Intercom and security infrastructure
•
Wayfinding signage and directional maps in interior and exterior
common areas
•
Common area painting and floor refinishing
Mid-Term Site Investments
The Armory was fully renovated fifteen years ago, and as noted, is in
generally good condition. However, several building systems require
repair or replacement to prolong the structure’s lifespan and its
ability to be operated with financial stability into the future. These are
medium-sized capital investments and may require bond funds or large
grants from the City or State to be completed.
•
Accessibility upgrades, i.e. upgrading the elevator and making all
bathrooms ADA compliant.
•
Exterior facade renovation – Repair cracks, replace broken
masonry, replace deteriorated stucco and repaint
•
Roof replacement - Replace existing rubber roof, shingle roof, and
replace gutters, scuppers and drainage systems.
•
Window replacement (east side) – Replace deteriorated second
floor windows on the east façade with double-glazed aluminum
windows.
•
Emergency door renovation – Replace deteriorated wood doors
and door frames of emergency exits on east, north and west sides
of the Armory.
•
Apply for municipal funds from the Somerville Community
Preservation Act (CPA) program, Capital Improvement Program,
as well as state and federal grants, to fund mid-term capital
improvements.
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30
Long-Term Site Investments
Protecting the Armory for future generations is a major reason for
operating the property as a successful community arts center and
municipal asset. Several building system upgrades and improvements
can increase the Armory’s operating efficiency and utility for users and
visitors. These investments do not have to be made immediately but
should be pursued within the next three to five years.
•
Elevator replacement – Replace existing elevator car system with
a modern, more reliable model.
•
Structural insulation – Insulate the Armory’s structural shell to
enhance energy efficiency.
•
Window replacement (north, west and south sides) – Replace
remaining windows with more efficient, soundproof models
•
Mechanical systems – Install modern, more efficient HVAC
systems in all rooms. Upgrade interior/exterior lighting
•
Site improvements – Regrade the Armory grounds for better
drainage and universal accessibility. Replace and reevaluate layout
of the parking lot.
•
Interior renovations – Install soundproofing and upgrade finishes in
common and tenant areas.
•
Apply for municipal funds from the Somerville Community
Preservation Act (CPA) program, Capital Improvement Program,
as well as state and federal grants, to fund long-term capital
improvements.
Right: The Armory in 2006 prior to
renovation after being sold by the
Commonwealth of Massachusetts
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Governing a Public Arts Center
31
Nurture Community and Coordinate Programing
Creating a thriving arts center involves effective coordination among
diverse programming and tenants. The Armory, with its multi-functional
spaces, must navigate the complexities of simultaneous uses to ensure
all users can coexist harmoniously. Establishing clear expectations,
promoting communication, and implementing a cohesive marketing
approach will better serve the Armory tenants and the wider
community. These recommendations aim to cultivate a supportive
environment that highlights the Armory’s unique offerings and ensures
a seamless experience for all visitors and tenants.
Coordination of Building Programming and Capacity
As an arts center with multiple uses occurring at once, it is important
to keep in mind what activities the building can simultaneously
accommodate. Competing music performances in spaces that are
not adequately sound-proofed, multiple large events that rely on the
common bathrooms, and artistic production that requires the use of
loud or messy machinery can all cause disruptions to other users of
the building. Setting clear expectations and creating a collaborative
environment will ensure that the tenants within the Armory are mindful
of each other and are supportive of each other’s programming.
While this synergy needs to be thought of during tenant selection, it will
also be important for tenants to communicate amongst themselves and
determine best courses of action for their overlapping programming.
It is recommended that the tenants and the Advisory Board track
potential issues, especially ones that may be resolved with future
building improvements such as mitigating noise bleed between spaces.
The Armory is a building where
people gather in both large and small
quantities to enjoy art.
Left: People gather for an visual art
exhibition opening in the SomArt
Space.
Right: A large audience watches The
Brazilian Theater of Boston present:
BRASIL: The Land of Samba in the
Armory perfomrnace hall
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32
Parking and Mobility
The Armory is situated in the center of Somerville between Davis,
Magoun, and Union Squares. The property is highly accessible to city
residents via MBTA buses that run down Highland Avenue, a short
walk to the Magoun Square green line station, and a Blue Bike station
located two blocks away. The Armory is unique among Somerville arts
venues because it also has a relatively large parking lot with forty-eight
(48) vehicle spaces behind the building and 2 accessible spaces at the
right side of the building. A loading zone and public parking are located
along the Highland Avenue curb line in front of the building. Arts at
the Armory also has arranged an overflow parking area at a nearby
Cambridge Health Alliance property on Highland Avenue for major
events. The following parking and mobility strategies are recommended
to maximize access to the building by the public:
•
Encourage building tenants to apply for municipal Business
Parking Permits.
•
Require hosts of performances to hire parking attendants for the
Armory parking lot.
•
Encourage performance attendees to walk, bike, or take public
transportation.
•
Conduct a site mobility plan for improvements to loading zones,
event parking management, fire lane access, accessible parking,
EV charging, dumpster access, and other circulation issues.
Below: Somerville Armory parking lot
seen from above.
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33
Mitigating Conflict
One of the items outlined in the vision of success for the Armory is
the fostering of community within the building and mitigating any
potential conflict. It is a goal of the Armory Master Plan that all conflict
is mitigated through resolution systems and mindful selection of
tenants and programming. Following all recommendations outlined in
this Plan, the Armory should be able to function with minimal conflict. If
any issues and conflicts should arise and cannot be resolved between
the tenants, they can bring the issue to the Armory Advisory Board. As
part of the standing meetings held by the Advisory Board, there will be
opportunities to hear about any issues arising amongst tenants and
neighbors. Tenant leases will include standard penalties for violating
the code of conduct and building rules.
Showcase the Armory’s Tenants and Programs
It is important that the public knows what is happening at the Armory,
how to access the Armory, and knows of its existence. Awareness will
help the community further engage with the Armory’s offerings and
help tenants attract more visitors to their programming.
Currently each individual tenant is responsible for their own marketing,
resulting in a fragmented approach. This Master Pplan recommends
that the Advisory Board adopt a marketing strategy that compiles
promotional material from all tenants so there is a single source for
all building related events and news that can redirect visitors to the
appropriate building tenant. This can be in the form of a building
website, social media feed, etc. This recommendation would not
replace individual tenant marketing strategies and still encourages
individual tenants to do their own marketing to their audiences.
It is also recommended by tThis Master Plan also recommends that
mechanisms be put into place for the public to feel further involved
with the building. This can be done through a group like the community
organization Friends of the Somerville Library, who help raise money, fill
in with programming support, and organize annual book sales. This Plan
recommends such a group should be explored by the Advisory Board
after the tenants have been selected.
Beyond the digital presence announcing the buildings programming,
the visibility of the Armory can be improved by creating a strong
building identity and sense of place. Fostering strong place-based
branding can help identify the building and create cohesion between
the physical space and the digital presence. The physical place-based
branding can come in many forms such as signage, outrigger banners,
flags, wall murals, architectural and/or multi-media lighting and public
art. In addition to providing a visual identity, this material can also
provide functional benefits like wayfinding and tenant information.
DRAFT
Somerville Armory Master Plan
Chapter Section
34
Summary of Recommendations:
Managing and Maintaining the Armory
Standardize and Expand Operation Protocols:
•
Implement standardized operational
procedures for improved efficiency, cost
reduction, and consistent service quality.
•
Increase cleaning and maintenance
services for common areas, including
weekend cleaning and trash removal,
through the Advisory Board’s budget
recommendations.
•
Streamline operations by integrating the
Armory’s needs into the Department of
Public Works systems.
Ensure Safety & Security:
•
Upgrade intercom call box and security
infrastructure systems, including installing
video surveillance in common areas and
improving door security.
•
Develop a more comprehensive safety plan,
considering building capacity, usage types,
and emergency protocols.
•
Ensure compliance with safety and
regulatory standards to foster a safe,
welcoming environment for tenants and
visitors.
•
Address building infrastructure limitations
(e.g., ventilation for hazardous materials) to
safely accommodate diverse art practices.
•
Require parking attendants for major events
to ensure fire lane access and safety.
Invest in Infrastructure:
•
Plan to invest in infrastructure
improvements and prioritize based on need
and available funding
•
Near-Term: Implement low-cost upgrades
like wayfinding signage and interior
painting.
•
Mid-Term: Undertake repairs and upgrades,
including exterior facade renovation, roof
replacement, and window replacements
•
Long-Term: Pursue major improvements
such as elevator replacement, energy-
efficient insulation, and upgraded HVAC
systems to improve sustainability and
operational efficiency.
Nurture Community & Coordinate Programming:
•
Establish clear communication and
coordination among tenants to prevent
conflicts from simultaneous programming
(e.g., noise management, shared facilities).
•
Create a collaborative environment
to encourage mutual support and
understanding among tenants.
•
Foster a community-oriented atmosphere
by addressing conflicts proactively through
the Advisory Board.
•
Implement conflict resolution systems and
enforce building rules and the code of
conduct through tenant leases.
•
Develop a comprehensive mobility plan
addressing parking lot improvements,
accessible parking, EV charging, and fire
lane access.
Showcase Tenants & Programs:
•
Adopt a unified marketing strategy to
promote Armory events and activities via a
centralized platform (website, social media,
etc.).
•
Create a strong, cohesive visual identity
for the Armory through branding initiatives
(improved signage, murals, lighting) to
attract and inform visitors.
•
Encourage public involvement and support
through community organizations, like a
“Friends of the Armory” group.
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Somerville Armory Master Plan
35
Financing the
Armory’s Vision
“Ensuring Financial Stability” is the final statement in the Vision of
Success. The Armory requires stable and sustainable finances to
operate and maintain the building as well as to modernize and improve
the facilities. Finances encompass revenue (funds coming in to
support the property’s operation) and expenses (funds spent on the
property’s operation). While under City management, the broad goal is
for revenue to equal expenses in the short-term and with time, to build
up a reserve to allow for deeper investments. Throughout this section
you will see references to the average expenses that the Armory faces
as estimated in 2024. These are not suggestions for what the rents
should be but rather indicate what needs to be covered by all revenues
to make the building work.
DRAFT
Somerville Armory Master Plan
Financing the Armory's Vision
36
Stabilize Revenue
The Armory’s revenue under private ownership was fully driven by
space rentals. The COVID-19 pandemic’s impact on attendance at arts
centers like the Armory was harshly felt and the ability of tenants to
pay rents that kept up with inflation made the economics of the building
untenable. The instability of revenues for an arts center was at the
heart of why the City of Somerville stepped in to take this building and
also continues to be a core challenge for the Armory’s future.
Filling Vacancies & Diversifying Revenue
When the City took the Armory for a public arts center in 2021, the
building already had several tenants (some arts-focused and some
not), and while the building had vacancies it was mostly occupied.
Unlike a private sale, a government taking obligates the purchaser, in
this case the City, to provide relocation to tenants who leave as a result
of the government’s new ownership. That opportunity combined with
COVID-driven changes in the economy lead several of the tenants
to take relocation payments and leave the building. As of November
2024, there are five remaining tenants, with more space vacant than
occupied. Remaining tenants continue to pay rent based on their leases
with the prior property owner, the exception of which is Arts at the
Armory, who was granted rent relief related to COVID-19 shutdowns
in 2021 and 2022. As a result of vacancies, revenue is much less than
what it had been under private ownership. Filling vacancies with tenants
will certainly increase the revenue of the building.
One need in the arts community that emerged during the City’s Cultural
Capacity Plan work was for extremely low-cost rehearsal and exhibition
space. The Arts Council first ran such a space in a vacant storefront in
Assembly Square. That lease ended just as vacancies were starting to
tick up at the Armory, and so the City opened two spaces in vacancies
at the Armory on a temporary basis: a zero-cost gallery and workspace
for artists who identify as black, indigenous, or persons of color (BIPOC)
and a low-cost hourly rental rehearsal space for dance and movement
artists. What this experience has shown is that a low-cost hourly rental
space can generate comparable revenue to a long-term lease, while
also meeting community space needs. During the Armory master plan
process, the community expressed interest in seeing both hourly and
long-term rentals made available to meet different artists’ needs.
Right and Left: Vacant spaces in the
Armory on the 2nd and 3rd floor
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Financing the Armory's Vision
37
Accounting for Escalation and Inflation
As with everything, dollars one year are not worth the same as dollars
the year before. Inflation will inevitably raise the costs of operating
the Armory year-over-year relative to costs for labor, materials,
utilities, and services. Recent global supply chain disruptions, driven
by COVID-19 and similar events, have increased inflation in building
operations. Delays in the production and shipment of materials and
building systems, coupled with increased demand for construction and
renovation projects, have contributed to recent price spikes. Inflation
in the energy sector has also significantly impacted utilities, especially
for facilities and programs that rely heavily on electricity. Create Today
estimates that inflation in operating costs for arts facilities nationally
currently averages 3% per year, fairly close to the prevailing Consumer
Price Index. As such Create Today has recommended utilizing this
national standard in leases so that rents keep pace with changing
inflation year-over-year. The Armory Advisory Board will need to
account for this inflation rate as it considers recalibrating Armory rents
and planning for expenses in future operations.
Balance Resources
As a public arts center, the Armory will need to balance three
competing resource needs: subsidizing arts tenants, improving
operational quality, and reserving funds for capital investment. No
matter whether the Armory is managed by the City of Somerville or
an independent non-profit, these tensions for resources will remain.
A benefit of municipal ownership is the ability to tap into the City’s
resources and existing systems. The City of Somerville is however
constrained with investments needed across the schools, emergency
services buildings, and city offices. The degree to which the City can
fund operational support and/or capital investments will always be
dependent on the current financial situation. In 2024, it is anticipated
that the next few years will see stable but flat local, state and federal
budgets, which will limit the expansion of resources flowing from the
City to the Armory.
Right: The Armory’s former drill hall,
now the performance hall space of
Center for Arts at the Armory
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38
Subsidizing Art
Whether governed by the City or a non-profit, maximizing rents is not
the goal. That said, not all artists will be able to afford rents that cover
the full operating costs of the Armory. Under private ownership, the
Armory had a mix of higher paying business tenants that allowed the
owners to support lower rates for some of the arts spaces, including
the performance hall. There may be a need to develop criteria to
subsidize some tenants in the future just as when the building was
operated privately. Setting a flexible range of rents and income-
adjusted fee structures are ways that the Armory can continue offering
spaces to artists, creative businesses, and community members of
varying income levels.
Economy of scale allows the City to support the Armory at lower
costs than a private entity. Currently, the City annually spends about
$5 per square foot (SF) for minimal level maintenance of the Armory’s
common areas, building systems, and grounds, using current municipal
staff and existing vendor contracts (e.g. trash hauling). Create Today
estimates it would cost an independent operator without access to
municipal staff and resources approximately 20%-30% more ($6/SF
annually) to run the Armory at existing service levels or any level of
service for that matter. For instance, snow clearance at the Armory is
currently worked into existing routes for plows and shoveling crews,
without passing these costs on to the tenants. This is one way the
City can provide significant subsidy to the Armory that increases
affordability. As transition to independent governance is considered,
there will need to be conversations about which services and
maintenance responsibilities stay with the City and which transition to
the independent entity.
Covering the cost of utilities is another way to subsidize the arts
tenants in the Armory. The City has covered water and sewer charges
for all tenants in the building since it was acquired in 2021, whether
they have private restrooms and sinks or are sharing the public
facilities. Since the Armory was renovated in 2009, most tenants
have paid for their own electricity and gas service from separate
utility meters. In contrast, the performance hall shares meters with
the common area, and the City has covered those costs since the
acquisition. A step toward fairness between tenants might be to install
a separate meter, or the City could continue to take on this cost as a
means of subsidizing the operation of that space. Similarly, separate
water meters may be a logical step if a tenant with particularly high
water use is selected for the building, or the City could continue to take
on this cost as well. Transitioning to an independent operation would
necessitate separate metering or bolstering the endowment of the
organization to continue utility subsidies to tenants.
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Improve Operations
Tenants have continually requested better building services over
the past three years to improve building conditions up to industry
standards. Some tenants have requested the presence of dedicated
management staff on-site when the Armory is open to the public, more
frequent trash pickup, deeper cleaning, and heightened maintenance.
Such service improvements will cost more to implement, requiring
careful consideration to balance better conditions with preserving the
Armory’s affordability.
To assess the cost of improving Armory operations, Create Today
built a financial model for the Armory modeling to a “best practice”
standard of service. They looked at the service priorities that the
current tenants and community raised in the engagement process as
well as industry standards, the case study research, and expense data
from the City. The “best practice” operation of the building is modeled
to have four full time equivalent (FTE) staff including the governance
coordination functions, welcome desk staff, and custodial services
every day of the week including weekends. That level of service would
cost approximately $20/SF, four times the current investment. The
operating budget is not the only expense that the building has either,
so getting to that best practice would require revenue above $20/SF in
order to sustain the level of services. Please note that this represents
the expenses that revenues need to cover, and not the anticipated
rents for any given unit in the Armory.
Below: The Somerville Winters
Farmers Market operated by Center
for Arts at the Armory
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In order to help the Advisory Board put this in perspective, Table 1
describes several potential tiers of service that could be achieved
between the current level (Tier 0) and the best practice (Tier 4) and
rough estimates of the costs associated with each tier.
Staffing is one of the most expensive differences in the level of service
options. As described in previous sections, the City intends to dedicate
staff time to support the Armory’s governance. This person will staff
the Armory Advisory Board and support engagement with tenants and
neighbors. That role will necessarily touch on operations issues as
well as larger governance topics. Revenue from a full building will also
give the City the capacity to retain supplemental vendors and possibly
additional staff. Determining a target level of service tier and additional
staff needs will need to go hand in hand with the selection of tenants,
because the revenue from rents will not be known until then nor will the
need for staff services be known until tenants are selected. Another
way to lower the costs might be to work with a volunteer program like
Americorps to staff a welcome desk. All of these operational staffing
considerations will require the input of the Armory Advisory Board.
The possible or desirable level of service is also likely to change over
time. Transitioning from the current investment at Tier 0 to the best
practice at Tier 4 would take at least a year, as that would involve hiring
for roles that do not currently exist. Rather than immediately targeting
the Tier 4 best practice level, the Advisory Board should work with
tenants to address the critical needs and target the level of service
accordingly. The Board will also need to consider having reserves on
hand for the times when there are vacancies in the building and less
revenue coming in, even if just for a few months while new tenants are
selected. The ultimate balancing act is to target a level of service that
meets the needs while not pushing rents out of reach of the artists
and arts organization the building is intended to serve and still also
preparing for larger capital investments.
Management and
Operations Level
Estimated Cost Range
Staff and Services
Tier 0: Current Service
$5 – 6+ per sf/yr
No dedicated staff, 5 days/week of custodial
service, low operating reserves
Tier 1: Modest
$8 – 10+ per sf/yr
1 FTE dedicated staff, 7 days/week of custodial
service, extra trash service, modest reserves
Tier 2: Moderate
$10 – 12+ per sf/yr
1.5 FTE dedicated staff, 7 days/week of custodial
service, extra trash service, moderate reserves
Tier 3: Standard
$13 – 16+ per sf/yr
2.5 FTE dedicated staff, 7 days/week of upgraded
custodial service, extra trash service, standard
reserves
Tier 4: Best Practice
$20 – 24+ per sf/yr
4 FTE dedicated staff, 7 days/week of custodial
service, enhanced maintenance and security
services, high reserves
Table 1: Management and Operation Service Tiers
FTE = full time equivalent job. This
is reflective of either City or private
sector workers
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Plan for Capital Investments
Buildings have life cycles, and their components degrade despite
regular upkeep. It is important to tenant stability that the timely
replacement of older systems is addressed. Replacement of major
building systems and large-scale renovations are sporadic costs that
are beyond the scope and more expensive than regular preventive
maintenance. These are considered separate from standard operating
expenses and require large capital infusions. Funding for such
investments can come from a variety of sources—reserves built up
from rental revenues, community fundraising, municipal taxes or bonds,
and state/federal grants.
Somerville’s Capital Projects Division determined in 2021 that the
Armory has short and long-term capital investment needs totaling over
$14 million (2024 dollars) summarized in Table 2.
Short-term Capital Investment Needs
Investment Required
Exterior repair, roof and window replacement
$4,800,000
Entry and call box upgrades
$300,000
Common area investments
$300,000
Total:
$5,400,000
Long-term Capital Investment Needs
Investment Required
HVAC/electrical improvements
$4,600,000
Interior renovations & upgrades
$2,700,000
Regrading grounds and parking lot rebuild
$1,900,000
Total:
$9,200,000
Table 2: Armory Capital Investment Needs and Estimated Cost (2024 Dollars)
Right: The mechanicals of the
Armory performance hall.
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The Armory’s capital investments needs cannot be supported by rent
revenue alone without pushing rents beyond the reach of the artists
and arts organizations it is intended to serve. Fortunately, there are
other public and private sources of capital to pay for replacement and
modernization of crucial building systems. As a municipal property,
the City can bond for capital investments in the Armory, just like it
does for the schools, fire stations, and City Hall. Investments funded
through the typical municipal process are managed through the
Capital Improvement Plan (CIP) process, which allocates municipal tax
revenue and bonding to improve City assets. The CIP evolves based
on funding and priority projects, meaning the Armory is evaluated
against the needs of schools and other facilities for the limited funding
available. The funds raised locally from the Community Preservation
Act (CPA) could also be a source for capital projects. CPA funding
has a more limited range of purposes so there is less competition for
these resources. One such purpose is to renovate and upgrade historic
buildings, such as the Armory. CPA monies are awarded annually
through an application process and could potentially provide up to
$1,000,000 for the Armory.
Grants and fundraising are further opportunities to finance capital
investments. An important program to track is the operates a Cultural
Facilities Fund (CFF) from the Massachusetts Cultural Council, which
supports capital investment in public cultural facilities through an
annual grant process. Municipally owned and managed cultural facilities
are only eligible if they are more than 50,000 square feet or at least
125 years old, which means the Armory is not eligible for this source at
the moment (34,000 square feet and 121 years old). Waiting four years
or transitioning to non-profit governance would open up this important
state-level funding resource. Most CFF grants are made to non-profits
and grants are made for capital investments even if the organization
leases their space. Further conversations with the Massachusetts
Cultural Council are needed to understand if the CFF could be a
resource for a project on municipally owned infrastructure (e.g. the
HVAC) but that is used exclusively by a non-profit tenant.
In general, transitioning to a non-profit structure would allow for more
flexible fundraising as there are more grant opportunities and soliciting
for donations is allowed. However, such an organization then needs to
have the staff to do that fundraising and grant seeking. In either case,
municipal or non-profit governance, all possible options for public and
private financing should be explored to ensure the Armory is a resource
for the next generation of Somerville residents to enjoy.
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Summary of Recommendations:
Financing the Vision
Stabilize and Diversify Revenue:
•
Fully occupy the Armory with
arts-focused tenants to increase rental
revenue.
•
Offer flexible rental options (long-term
leases and hourly rentals) to maximize
space usage and revenue generation.
•
Pursue fundraising, public/private
grants, and municipal tax revenue to
diversify revenue sources and support
operations (as allowed).
•
Anticipate inflation to align with the
Consumer Price Index and build
escalation into leases.
Subsidize Art:
•
Offer space at a range of price
points to ensure affordable access
for different artists and creative
businesses.
•
Consider subsidizing rents for arts
tenants that meet certain criteria (e.g.
public service).
Balance Resources:
•
Leverage the City’s economy of scale
to subsidize operations (e.g., snow
clearing, utilities) and reduce overall
expenses.
•
Ensure that as the Armory transitions
to independent governance,
discussions are held to determine
which services will remain
City-supported and which will be
transferred.
Incremental Operations and Management
Upgrades:
•
Gradually upgrade services as
occupancy increases, allowing for
better property management aligned
to tenant needs.
•
Prioritize incremental upgrades to
avoid large operating deficits while
improving experience for tenants and
visitors.
•
Balance the level of service with the
goal of keeping the Armory affordable.
Plan for Capital Investments:
•
Address short-term ($5.4 million)
and long-term ($9.2 million) capital
investment needs
•
Secure capital funding from public and
private sources, including municipal
bonds, state/federal grants, and
community fundraising.
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Conclusion
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Conclusion
45
The Somerville Armory has a dynamic 120-year history, transforming
over the decades to meet different needs. Residents want the Armory
to be a stimulating, vibrant public arts center that is efficiently managed
and transparently governed. Hosting a variety of creative, arts-focused
tenants will help maintain the Armory’s dynamic character over time.
The Vision of Success includes seven core statements to guide every
decision taken. Whether deciding about filling a vacancy in the building,
the level of service that can be provided next year, or making a change
to a common space policy, every decision should reflect these values:
•
Focusing on Artists and the Arts
•
Nurturing Collaboration and Synergy
•
Inspiring Community
•
Supporting the Creative Life Cycle
•
Making Clear and Community-Based Decisions
•
Mitigating Conflict
•
Ensuring Financial Stability
The task ahead is threefold: to stay true to the mission and vision
of success, be responsive to the evolving needs of the Somerville
arts community, and to establish a lasting foundation of resources
and infrastructure that ensures the Armory’s long-term vitality. By
thoughtfully balancing investment with subsidy, the Armory can and
will be a model center to empower working artists and deepen the
connection between the community at large and the arts community
in Somerville.
2022 Somerville Arts Council’s
SomArt program’s 2022 AiR
awardees, Claire Lane and Caroline
Bradbury of Detritus Dance,
performing at Arts at the Armory in
an accumulating performance.
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Appendix
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Somerville Armory Master Plan
Appendix
47
Armory Master Plan Advisory Committee (AMPAC)
1.1
Roster of Members
2022
1.2
Workshop #1
June 2022
1.3
Workshop #2
September 2022
1.4
Workshop #3
January 2023
1.5
Workshop #4
May 2023
Research
2.1
Greater Boston Environmental Scan
August 2022
2.2
Case Study Report
January 2023
Community Engagement
3.1
Leadership Interview Report
August 2022
3.2
Focus Groups Report
May 2023
3.3
Create Today Community Engagement Summary
September 2023
3.3
Community Engagement Methods
2022–2023
Armory Meeting Series
4.1
Armory & Arts Ecosystem Presentation and Notes
January 2023
4.2
Armory & Community Spaces Presentation and Notes
February 2023
4.3
Armory Existing Conditions Presentation and Notes
March 2024
4.4
Armory Governance Presentation and Notes
May 20204
4.5
Armory Governance Handout
May 2024
Findings
5.1
Business Plan
November 2024
APPENDIX DOCUMENTS
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